IELTS grammar · Updated 21 July 2026
IELTS Writing Task 2 Grammar: What Examiners Reward
In short
How is grammar scored in Writing Task 2?
Grammatical Range and Accuracy is one of four Task 2 criteria, worth 25% of the Task 2 band, alongside Task Response, Coherence and Cohesion, and Lexical Resource. Examiners read the whole essay once for an overall impression, then check it against the specific band descriptor wording — range of structures and proportion of error-free sentences — rather than counting individual mistakes one by one.
This means a single dramatic error rarely sinks a script, but a consistent pattern — the same tense mistake, the same comma splice, the same missing article — does, because it shows up repeatedly across the 250-plus words and reads as a genuine gap rather than a one-off slip.
High-value structures for your introduction and thesis statement
The introduction is often the first grammar an examiner reads closely, so it's worth planning deliberately. A paraphrased topic sentence benefits from a complex sentence that subordinates background information to your main claim: 'While automation has boosted productivity in many industries, it has also raised concerns about job security.' This single sentence shows a concession structure and a clear thesis in one breath.
Avoid opening with a memorised formula sentence that doesn't actually connect grammatically to your specific question — examiners notice template language quickly, and a slightly less polished but genuinely responsive sentence scores better on both Task Response and GRA.
High-value structures for body paragraphs: cause, effect, and hypothesis
Body paragraphs are where conditionals earn their keep. A first conditional projects a realistic consequence ('If this trend continues, urban infrastructure will struggle to keep pace with demand'), while a third conditional evaluates a past policy decision ('If governments had regulated emissions earlier, the damage would have been considerably smaller'). Both show the examiner you can reason beyond simple description.
Cause-and-effect subordinators — because, since, as a result of, given that — do similar work at a lower level of ambition and are worth mixing in so every sentence in a paragraph doesn't reach for the same conditional structure.
- If this trend continues, urban infrastructure will struggle to keep pace with demand.(first conditional projects a realistic future consequence)
- If governments had regulated emissions earlier, the damage would have been considerably smaller.(third conditional evaluates a past decision)
The passive voice for generalisations and formality
Task 2 essays frequently make claims about what 'people' or 'society' do in general, and the passive voice is the natural tool for stating those claims without an invented, unsupported agent: 'It is often argued that social media has weakened face-to-face communication' reads as more careful and formal than 'People argue that…', which sounds like a guess about who exactly is arguing.
Overusing the passive throughout an entire essay, however, produces flat, indirect prose — reserve it for genuine generalisations and process-like statements, and keep the active voice for your own opinion and specific examples, where a clear subject makes the writing more direct.
- It is often argued that social media has weakened face-to-face communication.(distancing passive for an unattributed general claim)
Common Task 2 grammar traps
Three mistakes recur across scripts at every band. First, informal contractions (don't, it's, can't) slip in from speech habits but read as under-formal in an academic essay — spell them out. Second, comma splices appear most often exactly where a writer is making a cause-effect point without realising a subordinator is needed: 'Costs rose, fewer people could afford housing' needs 'so' or 'because'.
Third, tense drift — starting a paragraph in the present simple for a general claim and sliding into the past simple mid-paragraph without a reason — confuses the timeline the essay is arguing about. Decide the tense a paragraph needs before you start it, and keep every sentence in that paragraph consistent with it unless the meaning genuinely shifts to a different time.
- Costs rose, fewer people could afford housing.(comma splice hiding an unstated cause-effect link)
- Costs rose, so fewer people could afford housing.
A worked example: raising a Band 6 sentence to Band 7–8
Band 6: 'Many people think social media is bad for teenagers, it effects on their mental health.' This sentence has a comma splice, a word-form error (effects for affects), and only simple grammar throughout. Band 7: 'Many people believe that social media negatively affects teenagers' mental health, although the evidence remains mixed.' This version fixes the word form, resolves the splice with a subordinator, and adds a concession clause.
Band 8: 'While the evidence remains mixed, it is widely believed that social media negatively affects teenage mental health.' Reordering the concession to open the sentence and switching to a distancing passive ('it is widely believed') both signal the flexibility that separates Band 7 from Band 8 — the underlying idea hasn't changed, only the grammar carrying it.
- Many people think social media is bad for teenagers, it effects on their mental health.(Band 6 — comma splice plus a word-form error)
- Many people believe that social media negatively affects teenagers' mental health, although the evidence remains mixed.(Band 7 — splice resolved, concession added)
Apply this to your own writing
The free IELTS Grammar Checker estimates your Grammatical Range & Accuracy band from any practice essay or speaking transcript — and tells you which of these structures you're missing.
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Frequently asked questions
How much of my Task 2 score is grammar?
Should I avoid contractions in IELTS Writing Task 2?
Is the passive voice necessary in Task 2?
How do I avoid comma splices in my essay?
What's the single biggest grammar upgrade from Band 6 to Band 7 in Task 2?
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