IELTS Academic Reading · Practice test

    Inkwell: IELTS Academic Reading practice test

    The object in every drawer that nobody can make alone, the keyboard story that is mostly wrong, and who gets to decide whether a language survives.

    • Academic
    • 3 passages
    • 40 questions
    • 60 minutes
    Sit this test on the clock

    Passage 1 · Questions 1–13

    The pencil

    You should spend about 20 minutes on Questions 1–13, which are based on Reading Passage 1 below.

    The Pencil

    An object so ordinary that almost everything commonly believed about it is wrong

    There is no lead in a pencil and there never has been. The writing material is graphite, a form of carbon whose atoms lie in sheets that slide over one another readily, which is why it leaves a mark on paper and why it feels slippery between the fingers. The confusion is old and comes from a mistake of identification: when an extraordinary deposit was found in Cumberland in the 1560s, the black substance was taken for a variety of lead ore and named accordingly, and the name stayed long after the chemistry was understood.

    That deposit, at Borrowdale, is the reason the pencil exists in the form it does. It was the only large body of solid graphite pure enough to be sawn into sticks and used directly ever found anywhere; every other source in the world required the material to be ground and reconstituted. The sticks marked paper beautifully and marked the hand equally well, so they were first wrapped in string that could be unwound as the point wore down, and later enclosed in a wooden case. The English had a monopoly on the material for two centuries, and the mine was worked only a few weeks a year, guarded by armed men and deliberately flooded between workings to prevent theft.

    The monopoly ended not with a discovery but with a war. Cut off from English graphite during the conflicts of the 1790s, the French government asked an officer named Nicolas-Jacques Conté to find a substitute, and within a few days he had one. Powdered graphite of ordinary quality, mixed with clay, moulded into rods and fired in a kiln, produced a usable core from material that had been useless before. It also produced something the Borrowdale sticks never could: a range. The more clay in the mixture, the harder the core and the paler the line it leaves; the more graphite, the softer and the blacker. Every grading system in use since, with its H for hard and B for black, descends directly from a wartime expedient.

    Modern manufacture would be recognisable to a worker of the 1860s. A slat of wood about the length of a pencil and the width of several is machined with parallel grooves; the cores are laid into the grooves; a second grooved slat is glued on top, making a sandwich; and when the glue has set the sandwich is cut lengthwise and shaped, so that a single pair of slats yields eight or nine finished pencils at once. The painting, the ferrule and the eraser are afterthoughts added in the nineteenth century, and the hexagonal cross section exists because a round pencil rolls off a sloping desk.

    The wood is a more demanding requirement than it appears. It has to be soft enough to be cut by a small blade held in the hand, without splintering, and it must cut as cleanly across the grain as along it, since a sharpener does both. Very few timbers manage this. The industry used red cedar from the eastern United States until the supply was exhausted, at which point it moved to incense cedar from California, which remains the standard; substitutes have been tried repeatedly and most of them tear.

    Given how much has been invented since, it is worth asking why the pencil is still made in billions. It writes upside down, at any angle, in extreme cold, on damp paper and in a vacuum, none of which a ballpoint pen reliably manages. It requires no power, no cartridge and no maintenance beyond a blade. Its mark can be removed and, if it is not removed, will still be legible in three hundred years, because graphite is chemically inert in a way that no ink is. For a certain range of tasks nothing has ever improved on it, and the range includes several that matter.

    There is a well-known essay which observes that no single person on earth knows how to make one. The claim sounds like a rhetorical flourish and survives inspection. Making a pencil requires cedar, which requires forestry, saws and the steel to make saws; graphite from one continent and clay from another; a kiln, and the fuel and refractory materials a kiln needs; glue, lacquer, brass for the ferrule and rubber for the eraser, each with its own supply chain reaching back through mining, chemistry and transport. The person operating the machine that cuts the slats knows nothing about vulcanising rubber, and does not need to.

    That is the pencil's real interest. It is among the cheapest manufactured objects in existence, costing less than a few minutes of anybody's labour, and it is the product of a coordination that nobody designed and nobody oversees. The person who wants one does not have to know any of this, and would not be able to obtain one if they did, because knowing how a pencil is made is not the same as being able to make one, and no amount of study closes the gap.

    Questions 1–13

    Questions 1–5

    Complete the table below.

    Choose ONE WORD ONLY from the passage for each answer.

    The pencil through time

    PeriodDevelopmentConsequence
    1560sa deposit of unusually pure graphite is found at 1 in Cumberlandsticks can be sawn from it and used as they are
    17th centurythe stick is enclosed in a wooden 2the material no longer marks the user's hand
    1790sgraphite is ground, mixed with 3 and fired in a kilnordinary graphite becomes usable and the core can be made 4 or softer
    1860s onwardsgrooved slats are glued together as a sandwich and cuteight or nine pencils come from a single pair of 5

    Questions 6–13

    Do the following statements agree with the information given in Reading Passage 1?

    TRUE
    if the statement agrees with the information
    FALSE
    if the statement contradicts the information
    NOT GIVEN
    if there is no information on this
    1. 6The writing core of a pencil is made of lead.
    2. 7Pencils in wooden cases cost more than sticks wrapped in string.
    3. 8The Cumberland mine was guarded and flooded when it was not being worked.
    4. 9Conté developed his process because English graphite could not be obtained.
    5. 10Adding more clay to the mixture produces a darker line.
    6. 11The wood used must cut cleanly in more than one direction.
    7. 12A pencil will write in conditions where a ballpoint pen may not.
    8. 13One person can understand the whole process of making a pencil.

    Passage 2 · Questions 14–26

    The shape of the keyboard

    You should spend about 20 minutes on Questions 14–26, which are based on Reading Passage 2 below.

    The Shape of the Keyboard

    Everybody knows why the letters are arranged as they are, and what everybody knows is mostly wrong

    A

    The story is told in classrooms, in management books and in almost every discussion of technological standards. The arrangement of letters on the keyboard, it is said, was designed deliberately to slow typists down, because the mechanical typewriters of the 1870s jammed when keys were struck too quickly. The layout is therefore a fossil: a solution to a problem that vanished a century ago, preserved by habit, and a standing rebuke to anybody who believes the best design wins. It is a very good story and it does not survive contact with the record.

    B

    What the record shows is more interesting. The machine that became the standard went through a long series of arrangements during its development, and the changes that produced the familiar one had a specific mechanical purpose. In the original design the typebars swung up from below in a semicircle, and two bars whose positions were close together would clash if struck in quick succession. Separating the pairs of letters that most often occur one after another in English therefore reduced the clashes. The aim was not to make the typist slower. It was to allow the typist to go faster without the machine seizing, which is close to the opposite claim.

    C

    A second influence has been documented and is less often mentioned. Among the earliest customers for the machine were telegraph operators, who used it to transcribe incoming Morse code, and some of the odder features of the layout appear to reflect their requirements rather than an English typist's. The position of certain letters makes little sense for ordinary prose and a good deal of sense to somebody resolving ambiguities in received Morse at speed. The layout that spread across the world was shaped, in part, by a use that disappeared within a generation.

    D

    How it became universal is a separate question, and the answer has little to do with the layout itself. The manufacturer established training schools, taught typists on its own machines, and supplied trained operators to employers who bought them. Within twenty years an employer purchasing a typewriter was purchasing access to a labour force, and a competitor offering a different arrangement was asking that employer to retrain everybody. By 1900 the standard was fixed, and every subsequent machine, mechanical or electrical or electronic, adopted it without argument.

    E

    The obvious test is whether a better arrangement exists, and one has been proposed. A layout patented in 1936 places the most frequent letters on the row where the fingers rest and distributes the work so that the hands alternate. Its advocates cite a wartime study reporting very large gains in speed from retraining. That study was designed and supervised by the man who held the patent, its methods were not published in a form anybody could check, and no independent replication has reproduced anything like the effect. Careful comparisons since have generally found an advantage of a few per cent, which is real, smaller than the cost of retraining, and nothing like the figure in circulation.

    F

    This matters because of what the example is used for. Economists invoke the keyboard as the standard illustration of path dependence: the proposition that an inferior technology can become locked in through the accumulated cost of switching, so that markets do not reliably select the best option. Two economists attacked the illustration directly in 1990, arguing that since the evidence for the alternative's superiority is so weak, the keyboard is a poor example of a real phenomenon. Their critics replied, reasonably, that establishing the phenomenon does not depend on this case. Both are right, and the episode is a useful reminder that a vivid example can do more work in an argument than the argument can support.

    G

    What is genuinely strange is what happened next. On a telephone there are no typebars, no home row and no mechanical constraint of any kind; the layout is software and could be anything. It is the same. The reason is not inertia in the machines but arithmetic in the population: the cost of relearning falls on each individual who switches, the benefit of a common standard accrues to everybody, and no individual gains by moving first. That is a coordination problem rather than a technological one, and it will outlast every machine it has been implemented on.

    Questions 14–26

    Questions 14–19

    Reading Passage 2 has seven paragraphs, A–G. Which paragraph contains the following information? NB You may use any letter more than once.

    Paragraphs A–G

    NB You may use any letter more than once.

    1. 14a reference to an early group of users whose needs shaped the design
    2. 15an explanation of why the layout survives on devices with no moving parts
    3. 16a description of how a manufacturer tied employers to its machine
    4. 17a criticism of a study conducted by the person who stood to gain from it
    5. 18a statement of the popular explanation the writer goes on to reject
    6. 19a comment on how much weight an example can bear in an argument

    Questions 20–23

    Complete the notes below.

    Choose ONE WORD ONLY from the passage for each answer.

    Why the letters sit where they do

    in the original machine the 20 swung up from below in a semicircle
    two of them close together would 21 if struck one immediately after the other
    so pairs of letters that often occur together in English were 22
    the purpose was to let the typist work 23 without the machine seizing

    Questions 24–26

    Complete each sentence with the correct ending, A–E, below.

    List of Endings

    • Ait was buying access to a trained workforce.
    • Bno independent study has reproduced its findings.
    • Cnobody gains anything by being the first to change.
    • Dthe patent had already expired by then.
    • Eelectric machines removed the mechanical constraint.
    1. 24An employer buying one of these machines found that
    2. 25The wartime study is treated with suspicion because
    3. 26The arrangement survives on touchscreens because

    Passage 3 · Questions 27–40

    When a language stops

    You should spend about 20 minutes on Questions 27–40, which are based on Reading Passage 3 below.

    When a Language Stops

    Most of the world's languages will have no speakers within a century. What follows from that is harder than it looks

    There are somewhere around seven thousand languages in use, and the distribution of speakers among them is extraordinarily unequal: a few dozen account for the great majority of humanity, while roughly half have fewer than ten thousand speakers each and several hundred have fewer than a hundred. A projection that circulates widely holds that half of the total will have no remaining speakers by the end of this century. The figure rests on assumptions that can be argued with, but the direction is not in doubt, and the rate at which small languages are ceasing to be transmitted is without precedent in the historical record.

    It is worth being precise about how a language ends, because the popular image is wrong. It rarely happens through the death of its speakers. It happens when a generation of parents who speak it fluently decide, consciously or otherwise, not to use it with their children, and they decide that because they can see clearly that their children's schooling, employment and safety will depend on a different language. Within two generations the transmission has stopped; the last fluent speaker dies perhaps sixty years later, and it is that death that gets reported. By then the decisive events are two generations in the past.

    What exactly is lost is a question the field has not always answered honestly. The strongest version of the claim, that each language contains a distinct way of perceiving the world which disappears with it, is not supported by the evidence; the experimental work on linguistic relativity finds effects that are real, consistent and small, concerning things like the speed of colour discrimination or the ease of certain spatial tasks. Two weaker claims are much better founded. The first is that every language is a data point about what human grammar can do, and since the shape of linguistic theory depends on the range of the sample, losing the unusual cases distorts what we believe to be possible. The second is that a great deal of specific knowledge, about plants, animals, weather and navigation, exists only in the vocabulary of small languages and in nobody's written records.

    Ingrid Solberg, who has worked on language documentation for thirty years, raises an objection from inside the field that deserves a hearing. Almost all of the advocacy, she notes, comes from people who will not bear any of the cost. A linguist urging a community to maintain its language is asking parents to accept, on their children's behalf, a measurable disadvantage in schooling and employment, in exchange for a benefit that accrues largely to scholarship and to an abstraction called human heritage. Speakers who shift to a dominant language are not, in general, confused about their own interests. They have more information about their situation than any visiting researcher, and they are frequently making the choice that a reasonable person in their position would make.

    This seems to me both correct and incomplete. The choice is real, and treating speakers as passive victims of historical forces is both false and patronising. But a choice made under conditions somebody else arranged is not quite the free choice the argument requires. Where education is available in one language only, where the state conducts its business in one language only, and where speaking the other has been punished within living memory, the decision not to transmit is a response to a set of costs that were imposed rather than discovered. Removing those costs is not the same as urging people to bear them, and it is what most of the successful cases have actually involved.

    Those cases are worth looking at, because they are unusually consistent about what works. The most effective single intervention has been the immersion preschool, in which very young children spend their days with fluent elders and no other language is used; the model developed in New Zealand in the 1980s and was adopted in Hawaii, and in both places it produced a generation of speakers where transmission had effectively stopped. Where numbers have risen for a language with more speakers, as in Wales, the change followed a shift in education policy rather than a campaign of persuasion. The common element is not enthusiasm. It is the creation of situations in which the language is necessary rather than merely permitted, because a language that is only ever optional becomes the one you use with your grandmother.

    Documentation is a different activity from revitalisation and the two are often confused. A recorded corpus with a grammar and a dictionary is not a living language and cannot be turned into one by scholarship; what it preserves is a record. That said, the record is not nothing. At least one community in North America has used nineteenth-century archival material, including documents written by speakers themselves, as the basis for reconstructing a language that had had no speakers for a century, and there are now children being raised in it. That outcome depended on an archive, on a linguist from the community, and on a decision taken by the community rather than for it.

    Which is where the argument ought to end. The question is not whether the world's languages should be preserved, which is a question nobody outside a community is entitled to answer on its behalf. It is who decides, and under what conditions the deciding happens. A community with schools, employment, official recognition and a functioning archive that chooses to shift has made a choice. A community without any of those has been presented with a situation. The useful work for everybody else lies in narrowing the difference between the two, and then accepting whatever is decided.

    Questions 27–40

    Questions 27–31

    Do the following statements agree with the claims of the writer in Reading Passage 3?

    YES
    if the statement agrees with the claims of the writer
    NO
    if the statement contradicts the claims of the writer
    NOT GIVEN
    if it is impossible to say what the writer thinks about this
    1. 27The projection that half of all languages will end this century rests on contestable assumptions.
    2. 28Languages usually end because their speakers die out.
    3. 29The strong version of linguistic relativity is well supported by evidence.
    4. 30Solberg has worked mainly with communities in one part of the world.
    5. 31Speakers who adopt a dominant language usually misunderstand their own interests.

    Questions 32–36

    Choose the correct letter, A, B, C or D.

    1. 32According to the writer, by the time the last speaker of a language dies,
      • Ayounger relatives normally retain partial knowledge.
      • Bthe language has usually been documented in full.
      • Cthe decisive events happened about two generations earlier.
      • Dthe community has generally moved elsewhere.
    2. 33Which claim about language loss does the writer regard as well founded?
      • AEach language embodies a distinct way of seeing the world.
      • BSmall languages are grammatically simpler than large ones.
      • CSpeakers of small languages think more flexibly than others.
      • DLosing unusual languages distorts our picture of what grammar can do.
    3. 34What is the writer's reply to Solberg?
      • AA choice made under imposed conditions is not a free one.
      • BSpeakers are not in a position to judge their own interests.
      • CThe costs she describes have been exaggerated by researchers.
      • DLinguists do in fact bear a share of the cost.
    4. 35What do the successful cases have in common, according to the writer?
      • ASustained funding from national governments.
      • BSituations in which the language has to be used.
      • CA large existing population of speakers.
      • DCampaigns aimed at persuading parents.
    5. 36What does the writer say about the North American reconstruction?
      • AIt has not yet produced any child speakers.
      • BIt shows that documentation can substitute for transmission.
      • CIt succeeded because the community itself decided to attempt it.
      • DIt relied entirely on recordings made by outside researchers.

    Questions 37–40

    Complete the summary below.

    Choose NO MORE THAN TWO WORDS from the passage for each answer.

    The writer's conclusion

    For the writer the question is not whether languages ought to be preserved, since nobody outside a community may answer that for it, but who 37 and in what circumstances. A community that has schools, employment, official recognition and a working 38, and that then chooses to shift, has genuinely made a choice. A community with none of those has instead been presented with a 39. The work available to everybody else is to reduce the distance between the two, and then to accept whatever is 40.

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