Part 2 cue cardMedia and news
Describe a radio programme or podcast you enjoy
"What it is about" carries the marks: explain the format and give one specific episode or moment, not "it talks about many interesting topics". "How often" needs a real routine tied to when and where you listen.
- 1 minute to prepare
- Up to 2 minutes
- Samples at Band 6, 7 and 8
- Updated 20 October 2026

The cue card
Describe a radio programme or podcast you enjoy.
You should say:
- what it is
- what it is about
- how often you listen to it
- and explain why you enjoy it
Rehearse the long turn
1 minute to prepare · 2 minutes to speak
A 60-second plan
- what it islate-night phone-in, local Córdoba station
- what it is aboutcallers' true stories, one theme nightly
- how often you listen to itthree or four nights, driving home
- and explain why you enjoy itreal voices, company, bus driver's call
Sample answers
Band 6 sample answer
228 words · about 1:59 spoken at a Band 6 pace
I'd like to talk about a radio programme which I listen in Córdoba, the city where I live. It is a late-night programme on a local station, and it starts at midnight and finishes at two o'clock.
The programme is about real stories of normal people. Every night the presenter chooses one theme, for example the first job you had, or a stranger who helped you, and then listeners call to the station and tell their own story. Between the calls he plays some old folk music. The presenter has a very deep and calm voice and he never judges the people who call.
I listen it three or four nights a week. I work in a hotel reception and when I have the late shift, I drive home after midnight, so I always turn on the radio in the car. On Sunday morning they repeat the best calls of the week, so sometimes I listen while I am cooking.
I enjoy it because the stories are real, they are not prepared like on TV. Some are funny and some are very sad. One night a old bus driver told about his last day of work before he retired, and he said goodbye to every passenger. I nearly cried while I was driving. Also, at night the roads are empty, so the programme make me feel less alone.
The mistakes that keep it at Band 6
- which I listen in Córdoba should be which I listen to in Córdoba
- listeners call to the station should be listeners call the station
- I listen it three or four nights should be I listen to it three or four nights
- I work in a hotel reception should be I work on a hotel reception desk
- they are not prepared like on TV should be they aren't scripted like on TV
- a old bus driver should be an old bus driver
- told about his last day should be talked about his last day
- the programme make me feel should be the programme makes me feel
Why this is Band 6, not Band 7
- Fluency and coherence
- Willing to speak at length and gives each bullet its own section, including a specific call ("One night a old bus driver"). It stays at Band 6 because the reasons are added with "Also", and the moving story is told in two quick sentences rather than developed.
- Vocabulary
- Enough vocabulary to describe the programme ("presenter", "theme", "late shift", "retired"), but some choices are inappropriate: "they are not prepared like on TV" misses the precise word for unscripted speech, and "told about his last day" uses the wrong verb. Band 7 would choose more exact words.
- Grammar
- A mix of simple and complex sentences with relative and time clauses, but errors are frequent: "which I listen in Córdoba" and "I listen it" both drop the preposition, "a old bus driver" takes the wrong article, and "the programme make me feel" doesn't agree.
Pronunciation is the fourth criterion; it is judged from your voice, so a written sample cannot show it.
Band 7 sample answer
261 words · about 2:00 spoken at a Band 7 pace
The programme I'd like to talk about is a late-night phone-in show on a local radio station in Córdoba, where I live. It runs from midnight until two in the morning, and it's been going for years, so a lot of people in the city knows it.
The idea is very simple. Each night the presenter picks a theme, things like the first job you ever had, or a time a stranger helped you, and listeners ring in and tell their own stories live on air. In between calls he plays old folk songs, and he's got this deep, unhurried voice that makes people open up. What I like is that he never interrupts or judges anyone.
I listen to it three or four nights a week. I work on the reception desk of a hotel, so when I'm on the late shift, I drive home after midnight and it's on in the car the whole way. They also put out a highlights edition on Sunday mornings, which I usually have on while I'm cooking.
I think the main reason I enjoy it is that it's so genuine. Nothing's scripted, so you get people being hilarious one minute and heartbreaking the next. One night a retired bus driver described his very last shift, when he stopped to shake hands with every passenger, and I actually had to pull over for a minute. On top of that, when the roads are deserted at that time of night, it's nice company, and it makes me feel connected to the rest of the city.
The slips
- people in the city knows it should be people in the city know it
Why this is Band 7, not Band 8
- Fluency and coherence
- Speaks at length easily, explaining the format clearly ("The idea is very simple") and supporting it with a real moment ("One night a retired bus driver described his very last shift"). Not Band 8 because the last paragraph stacks its reasons ("On top of that") rather than building them into one point.
- Vocabulary
- Some less common, natural items: "phone-in show", "ring in", "live on air", "unhurried voice", "open up", "pull over". Band 8 would show this range throughout; "very simple" and "nice company" are fairly plain.
- Grammar
- A good range of complex structures: the present perfect continuous ("it's been going for years"), a relative clause ("that makes people open up"), a cleft ("What I like is"). One slip, "a lot of people in the city knows it", where the verb should agree with people.
Pronunciation is the fourth criterion; it is judged from your voice, so a written sample cannot show it.
Band 8 sample answer
274 words · about 1:53 spoken at a Band 8 pace
The one I'd choose is a late-night phone-in on a local station here in Córdoba. It goes out from midnight to two, it's been on air for longer than I've been alive, and in its own quiet way it's a fixture of the city.
The concept couldn't be simpler. The presenter sets a theme each night, say, your first job, or the kindest thing a stranger ever did for you, and listeners call in and tell their stories live, completely unrehearsed. Between calls he slips in old folk records, and he has the kind of low, unhurried voice that coaxes things out of people they'd probably never say in daylight. Crucially, he never cuts anyone off or passes judgement.
I tune in three or four nights a week, which is really a matter of circumstance: I work on the front desk of a hotel, and when I'm on the late shift, it keeps me company on the drive home. On Sunday mornings they broadcast a round-up of the week's best calls, which has become the soundtrack to my cooking.
What draws me in, more than anything, is how unvarnished it is. You'll hear someone howling with laughter about a disastrous first date, and ten minutes later a widower describing how he still sets two cups out for breakfast. The call that really got to me was a retired bus driver recounting his final route, stopping to shake every passenger's hand; I had to pull over until I'd composed myself. When I'm driving through empty streets at one in the morning, it makes the city feel like a community rather than a collection of strangers.
Why this is Band 8, not Band 9
- Fluency and coherence
- Fluent and coherent, with the format, the routine and the reasons each developed, and a final image that widens the point ("a community rather than a collection of strangers"). Short of Band 9 only because "What draws me in, more than anything" is a familiar way into the last bullet.
- Vocabulary
- Wide and idiomatic: "a fixture of the city", "completely unrehearsed", "coaxes things out of people", "passes judgement", "unvarnished", "until I'd composed myself". Band 9 would keep this precision in the plainer account of the listening routine.
- Grammar
- A wide range used accurately: a comparative with the present perfect ("longer than I've been alive"), a relative clause with a conditional ("they'd probably never say in daylight"), and participle clauses ("recounting his final route", "stopping to shake every passenger's hand"). No errors; Band 9 would vary sentence openings slightly more.
Pronunciation is the fourth criterion; it is judged from your voice, so a written sample cannot show it.
Rounding-off questions
- Why has listening to podcasts become popular?
- Mainly because they fit around other things. You can listen while commuting, cooking or exercising, and there's a podcast for almost any interest, however niche. They also feel personal, like being part of a conversation.
- Is radio still relevant today?
- I think so, especially local radio. It's live, it's free, and it reaches people in cars and in places with poor internet. And in an emergency, a radio station can still get information out faster than almost anything else.
Phrases worth reusing
phone-in show
a programme where listeners call in and speak
live on air
broadcast at the moment it happens
makes people open up
encourages people to talk honestly about their feelings
pull over
stop a car at the side of the road
coaxes things out of people
gently persuades people to share things
passes judgement
criticises or decides who is right or wrong
completely unrehearsed
not practised or planned beforehand
until I'd composed myself
until I had calmed down again
If the obvious answer doesn't fit
- A podcast about history, science or true crime that you follow
- A sports commentary or music show you keep on in the background
- A language-learning podcast you use on your commute




